"Do you like being a detective?"
"When I do it well."
Quotes by Dan Simmons
The pack [of media] brayed and bellowed outside the house for seven weeks. Sol realized [then] what he had known and forgotten about very small communities: they were frequently annoying, always parochial, sometimes prying on a one-to-one level, but never had they subscribed to the vicious legacy of the so-called "public's right to know".
She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things--the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
Anticlimax is, of course, the warp and way of things. Real life seldom structures a decent denouement.
Mystery. The strangeness of place so necessary to some creative spirits. A perfect mixture of the classical utopia and the pagan mystery.
Poetry is only secondarily about words. Primarily, it is about truth. I dealt with the Ding an Sich, the substance behind the shadow, weaving powerful concepts, similes, and connections the way an engineer would raise a skyscraper with the whiskered-alloy skeleton being constructed long before the glass and plastic and chromaluminum appears.
Words are the only bullets in truth's bandolier. And poets are the snipers.
Poets are the mad midwives to reality. They see not what is, nor what can be, but what must become.
Gass once wrote: "Language serves not only to express thought but to make possible thoughts which could not exist without it." Here is the essence of mankind's creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatozoa attacking an ovum. It might be argued that the Siamese twin infants of word/idea are the only contribution the human species can, will, or should make to the raveling cosmos.
I confess that I felt something closer to exaltation than fear. Something inexplicable was happening. Forged in Jesuit logic and tempered in the cold bath of science, I nevertheless understood at that second the ancient obsession of the God-fearing for another kind of fear: the thrill of exorcism, the mindless whirl of Dervish possession, the puppet-dance ritual of Tarot, and the almost erotic surrender of seance, speaking in tongues, and Zen Gnostic trance. I realized at that instant just how surely the affirmation of demons or the summoning of Satan somehow can affirm the reality of their mystic antithesis--the God of Abraham.









