Behold the Light of the Goddesses: Norse

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An icy north wind sweeps across a battlefield as tense, warring tribes anticipate the beginning of battle. A black cloud approaches, sparking ominous electricity, as thunder warns of impending danger. Thick, dark tendrils fall out of the clouds, revealing women riders in full combat armor on massive steeds. These riders rush to the warriors, who immediately fall upon each other in ferocious battle. The riders are the Valkyries, the daughters of Odin, and theirs is the world of war.

This sets the scene for a mythology that presents its goddesses in a way not common to most religions. The femininity of Norse goddesses is unquestionable, but so is their strength and determination, as well as the ability to fight. Other ancient religions also portrayed goddesses as being involved with warfare, battlefield strategy and hunting. For example, ancient Egypt had Sekhemet and Neith. Greece revered Artemis and Athena as powerful warriors.

In Norse mythology, however, strength, determination and battle abilities weren’t an exception for goddesses; they were the rule.

I’m honored to present a brief look at a few Norse goddesses. Norse myths hold a depth that always excites my imagination. I hope you enjoy them as much as I do.

Frigg: Goddess of Foreknowledge

Frigg was the wife of Odin and the mother of Baldr the Beautiful. Baldr was a solar deity, kind and beloved in every way. His brother, Hodr, was blind and the two were devoted to each other. So deep was Frigg’s love for her son, that she devised a plan to keep him safe forever, impervious to anything that existed in the Universe. She sought and received a vow of compliance from everything, both living and inanimate, never to hurt her son. From the highest mountain peak, to the deepest depths of the seas, everything of the earth and sky gave an unbreakable promise to never injure Baldr, except for one plant. Frigg considered mistletoe to be completely harmless. As parasitic flora, it lives upon the boughs of other trees and as such, mistletoe was neither a plant of the earth, nor a product of the sky and was not bound by the oath taken by every other being, or thing, that existed. Loki, the trickster of Norse mythology, angry and jealous of the attention being put to this project, disguised himself as an old woman and approached Frigg, asking her for details regarding the promises given to her. Frigg told the old woman how she’d not worried about mistletoe and the wheels of tragedy were set in motion.

To celebrate Baldr’s magical protection, an event was planned in which the gods would take turns hurling stones, throwing spears, shooting arrows and doing whatever else they could to the immortal Baldr. Assault after assault was made by the boisterous deities. Baldr smiled calmly, totally unharmed as every missile simply fell at his feet or had no affect. The gods cheered and celebrated his power of invulnerability. Loki, still in the disguise of the old woman, approached the contest with Baldr’s blind brother, Hodr, whom was thrilled to be able to participate in the celebration. Loki had fashioned a dart of mistletoe, which he placed in Hodr’s hand and helped him aim. Everyone watching cheered Hodr. He threw the dart as hard as he could, expecting to hear the usual cheers, but to everyone’s horror, the dart went through Baldr’s body and he instantly fell dead. Loki was eventually discovered and punished for his treachery, but the real power of this myth is in the reality it reflects.

Although this myth is a fascinating take on the movement of the Sun upon the ecliptic during the cycle of the year, it also offers powerful commentary regarding a mother’s attempt to provide protection for her children and the inevitable truth, that no matter how careful one may be, the unexpected is always a part of life. Another interesting pattern in this myth is the disguising of Loki as an old woman. This motif is repeated in another Norse myth in which Thor engages in a series of competitions while in a magician’s realm. Thor is challenged to wrestle an elderly woman, toothless and decrepit in appearance. As Thor begins the bout, he’s amazed to find the woman to be remarkably strong, with a grip like iron. Laughing, she easily drops Thor to his knees and the contest is mercifully ended before the god is totally defeated. Thor is understandably humiliated, but eventually discovers that the woman is much more than she seems to be and is, in fact, Old Age itself. Not even the God of Thunder could overcome the power of Time. This tale of an old lady being more than she seems is repeated in tales like Hansel and Gretel and other stories that feature Wicked Witches disguised as helpless old ladies. The message is clear. Never underestimate anyone, for they may not be as they seem. The arrogance of assumptions based on the way people look is dangerous, to say the least.

Frigg is often considered to be a goddess with foreknowledge, seeing deeply into the future and able to discern the paths and destinies of both men and gods alike, not unlike the Norns (knowers of all destiny). It’s significant that with this ability, she was still unable to prevent the death of her son, Baldr. There’s a deep message behind this story, one that bears mulling over.

Freyja: Embodiment of Passion and Joy

Freya is often called the Norse Venus, or Goddess of Love. This description is a vast oversimplification. Freyja could be seen as the embodiment of passion, celebrations and joy. She was the happiness of a successful harvest and the fertility that brought new animal life to our planet. She was filled with desire and inspired it in others. She brought the joy of life into the hearts of even the most cynical. Her beauty was matched only by her strength and her skills in the magical arts, making her a deity to reckon with. In some cultures, Freyja would have been considered a sorceress. She was definitely a Shaman. Her ability to walk between worlds and affect the outcome of the future, made her a deity to be respected. Freyja wasn’t Aesir, like Frigg. The Aesir dealt with warfare and the affairs of the heavens. She was Vanir, the rulers of the Earth and fertility. As such, her realm focused on the more tangible aspects of life, including love and need.

A popular story about Freya has to do with her immense beauty. A Jotun (enemy of Aesir and Vanir) stole Thor’s hammer and demanded that Freya be delivered as his bride, or never see the hammer again. This problem was solved by dressing up a furious Thor to look somewhat like Freya and delivering him into the thief’s kingdom. I’ll bet you can figure out how the story turned out.

Freya ruled over an afterlife known as Folkvangr, meaning “warrior’s field” This was where she delivered half of the warriors slain in battle, the other half destined to spend eternity in Valhalla. No one seems certain as to what the actual criteria was that decided the destination of the souls of the fallen. I believe that some men were suited mainly for battle, having been born warriors, while others were called into war from other walks of life. This was a good and fair division, giving each of the fallen their best possible eternity. There’s benevolence in that idea, one that speaks to the respect of a culture for those who sacrifice their lives in war.

Idunn: Keeper of Eternal Life

Idunn was in charge of the Golden Apples that bestowed eternal life to the Gods. As was the case with Freya, she was abducted, this time through the treachery of Loki. To make a long story short, Idunn was abducted by a giant and then retrieved by Loki, under duress.

The main point of interest with Idunn is her affiliation with the fruit of eternity. She’s reminiscent of the Hesperides, the keepers of the Greek Golden Apples. The Priestess in Tarot is often shown with seed bearing fruits and flowers. The reality is that such fruits are the immortality of the species of flora involved, just as woman, the real goddesses, bear within them the immortality of mankind. This may bring to mind the fruit eaten by Eve in The Garden. I’ll leave it to the reader to ponder the importance of this train of thought.

Hel: Powerful and Intimidating

One of the most interesting of the Norse goddesses, Hel, was the daughter of Loki and the ruler of Niflheim, the land of the dead for those hadn’t died heroically. Half alive and half corpse, she was powerful and intimidating. At one time, “going to Hel” meant to die without heroic honor.

The Valkyries: Choosers of the Slain

Of all the female entities in Norse mythology, perhaps none are as indicative of powerful feminine energy as the Valkyries. The word Valkyrie means “chooser of the slain.”” These women were daughters of Odin, chief of the Aesir. They moved into the dreams of warriors, giving them visions of blood and carnage. These were warnings of unavoidable combat, omens of dark outcomes. Battles only began when the Valkyries rode to the battlefield. The Valkyries chose who won and who lost, usually at the direction of their father. Disobeying Odin’s direction did happen, with grave consequences. After a battle ended, the Valkyries transported those chosen to reside in Valhalla. There, the Valkyries waited upon the resurrected warriors in an eternity of feasting, drinking, fighting, dying and being resurrected. I can’t think of another mythological version of the afterlife like this one.

Richard Wagner’s Classic operatic series, Der Ring des Nibelungen, tells the story of Siegfried, an ancient hero of the Norse and Brunnhilde, the Valkyrie whom falls in love with him. Brunnhilde defies her father, Odin, by trying to save Siegfried’s father’s life. In a nutshell, she’s punished with mortality, betrays her beloved Siegfried, gets him killed and eventually throws herself on his funeral pyre, singing as she goes. It may not end happily, but wow what an ending. If it had be me, I’d have had her last note be Soprano C” thus ending the opera on a high note.

The Norse Gods have become fashionable again, due in part to the cinema, but the big screen renditions of these deities bear little resemblance to their bigger than life counterparts.

There’s a grandeur and majesty to the gods of the Norse, a sense of heroic dynamism that can fill we mere mortals with awe and never fails to entertain and excite the imagination.

I wish you all peace and love.



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The Norse Gods: Behold the Light

From the time I was young, I was fascinated with mythology. Any and all cultures caught my attention, but especially Norse mythology. The more I studied Norse mythology, the more amazed I was at its depth and profound philosophies. They had a rich and dynamic pantheon, one featuring gods and goddesses powerful and eager to live their lives to the fullest. Stories of the Aesir, the race of gods and the Jotun, or Frost Giants, filled my imagination. There’s a sense of reality to these tales, a cold wind that reflects the truth of the human condition.

What follows is by no means a complete list of the Norse gods, but these are some of the most fascinating to me.

Odin: The Wise

The ruler of the Aesir was Odin. Odin was unlike most kings of other pantheons. His thirst for knowledge and his willingness to sacrifice anything for that goal made him unique. He gave one of his eyes in return for wisdom. A one-eyed god is an interesting theme and is also used in the story of Thoth. Thoth sacrificed his eye for Horus and was rewarded with great gifts of knowledge and invented writing. Such was the case with Odin, and his search for the truth never ended.

My take on Odin is that his unquenchable thirst for knowledge was a symbol of the fact that at one time, oral tradition was the only way of passing along information from one generation to another.

Odin became despondent with the fact that there was no way to pass along history in a reliable manner. Mankind had to start over with every generation, keeping humans from moving forward, losing what generations before had accomplished. We are nothing more than an accumulation of our knowledge and everything that evolves in the present is dependent upon the lessons of the past, but to what avail if the past is lost.

His depression became anguish and Odin decided to sacrifice himself upon Yggdrasil, the tree of the cosmos. This remarkable myth culminates with Odin hanging himself upside down over the well of Urd, one of the Norns, they being knowers of the past, present, and future. He then caused himself to be pierced with a spear, and for nine days and nights, he hung in agony. By his order, no water was to be given and no food offered.

At the end of his long ordeal and with death approaching, he saw a gleaming within the water below him. He reached down, grasped the shining objects, and pulled them out with a mighty roar. These were the runes, the alphabet that would allow the sharing of history, thoughts, laws, and more importantly, the tales that made the Norsewhat they were. Being a god, he recovered, but his sacrifice is a model for mortals to never stop learning, or seeking the truth.

Odin rode an 8-legged horse named Sleipnir, an animal mount typical for a shaman, due to its having 8 legs. He wielded his famous spear, Gungnir, that never missed its mark. He was accompanied by two wolves, but also Hugin and Munin, ravens who were able to bring him any knowledge he needed from anyplace in the cosmos. The raven’s names mean thought and memory. Within these names resides one of the great truths of understanding metaphysics, a hint for all those with an unquenchable need to learn.

Odin often wandered amongst mortals to learn of their lot in life, bearded, wearing a broad brimmed hat pulled low over his eyes, and a wearing a cloak.

As any traveler could be a god in disguise, it was considered a good idea to treat everyone hospitably and to open one’s home to strangers. How interesting that the idea of kindness to strangers would be so ingrained in such a fiercely martial culture.

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