Ancient Protection: Using Apotropaic Magic to Ward Off Evil

Tithe Barn, Bradford on Avon, Wiltshire. Detail of incised circles in stonework .

Ancient cultures regularly called upon the powers of magical, or apotropaic, symbols and rituals to guard them and their loved ones from evil. While some of these images seem to have faded into obscurity, one can still find them in their various forms — especially in the United Kingdom — often hidden in plain sight.

“Apotropaic” is derived from a Greek word, meaning “to ward off” or “to turn away,” and when applied to magic, it becomes an umbrella term for various symbols used on a house to keep evil from entering, as well as specific objects imbued with magical powers that protect those wearing or traveling with them.

Traditionally found engraved or etched onto, or burned into areas of entry, — especially windows, fireplaces, and doors — apotropaic symbols are seemingly commonplace on ancient buildings with inhabitants who were fearful of evil spirits. Those interested can find them on houses, barns, churches, and cellar doors.

In February 2019, the largest discovery of British apotropaic marks was made during one of many tours in Creswell Crags, a limestone gorge replete with cliffs and caverns. Here, one can get a feel for the way caves were used during the Upper Paleolithic, Mesolithic, Neolithic, Bronze, and Roman ages. More than 100 of these so-called witches symbols were found, covering the walls and ceilings of the gorges’ numerous caves, and etched over dark holes and large crevices.

More than 50,000 visitors a year tour Creswell Crags, now considered a world-renowned heritage site. Until late, these medieval symbols were dismissed as common graffiti, but now experts claim that the scrawls are “actually the work of locals who once believed the ominous deep openings were a gateway to the underworld. The etchings were an apparent attempt to keep devils, witches and other evil occupants from spilling out.”

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Lines and Shapes

Apotropaic symbols were most commonly created in three forms: a circle, a pentacle, and a “VV” shape. Less frequently, they have also found in diagonal lines, boxes, and mazes — and as hundreds of other variations on these themes.

The Daisy Wheel, or flower of life — a symbol resembling an encircled six-petaled flower — was the most frequently used witches’ symbol. Its single, continuous line was believed to be followed by evil spirits, and was used to confuse and trap them. Two small daisy wheels have even been discovered by the door leading into a beer cellar at Shakespeare’s birthplace at Stratford-upon-Avon, and many are still to be found in surviving English churches, as well as in medieval houses and farm buildings.

Daisy wheels inscribed at Bradford-on-Avon via historicengland.org

 

While the pentacle symbol is presently associated with paganism, it was regarded as the opposite in the Middle Ages— a mark imbued with the power to ward off witches. The five points on these stars were believed to represent the five wounds of Christ, and pentacles were most often worn as protective charms rather than etched into buildings.

In addition to designs, various letters are still believed to have significant power, depending on their associations. Most popular at the pinnacle of apotropaic usage was the “VV,” thought to evoke the protection of the Virgin of Virgins, or the Virgin Mary. Variations on this symbol appear as well, including “AM” for “Ave Maria,” and “M” for “Mary.”

In an era before scientific materialism, inhabitants of medieval villages attributed sickness, crop failures, and an array of misfortunes to the mischief of evil spirits — witches, demons, the devil, and so forth.

“Witches’ marks are a physical reminder of how our ancestors saw the world. They really fire the imagination and can teach us about previously held beliefs and common rituals. Ritual marks were cut, scratched or carved into our ancestors’ homes and churches in the hope of making the world a safer, less hostile place. They were such a common part of everyday life that they were unremarkable and because they are easy to overlook, the recorded evidence we hold about where they appear and what form they take is thin.”

– Duncan Wilson, Chief Executive of Historic England

What are now considered eerie and curious representations of a bygone era of a superstitious people, apotropaic symbols continue to resonate with people who profess a profound connection with the unseen world.

Apotropaic symbols may have grown out of popular favor, but their use is far from extinguished. While it may be difficult to assess the exact number of witches and pagans in the modern era, researchers from Trinity College conducted three surveys from 1990 to 2008 and found that, while there were an estimated 8,000 Wiccans in 1990, that number grew to 340,000 in 2008. Many of these individuals still use apotropaic symbols in their rituals and sacred texts.

 

Want to learn more about ancient signs and symbolism? Check out our series Secret Life of Symbols  with Jordan Maxwell:

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The Mathematical Genius Encoded in the Great Pyramid

Across the shifting sands of time, nowhere has remained more mysterious than ancient Egypt. This desert beacon continues to allure millions due to its unsolved secrets, theories, and godlike pharaohs.

But perhaps the greatest reason for Egypt’s enduring popularity is a theory that places the age of this enigmatic land’s monuments so far back in history that Egyptology’s explanations seem untenable. This ultra-ancient origin has led many to surmise that the people who built these physical structures were capable of such an advanced level of engineering, in which they encoded the mathematical principles of life itself.

The architects of ancient Egypt’s monuments were far more purposeful in their proportions, measurements, angles, and equations than most modern-day archaeologists credit them with. There is also the distinct possibility that these architects found a way to naturally harness electricity from the Earth itself.

A Mathematical Code of the Universe? 

While archaeologists have long been infatuated with the construction and grandeur of the Egyptian pyramids, the greatest mystery may have nothing to do with how these structures were precisely designed and crafted, but more about how they were potentially used as powerful devices to generate electrical power.  

The Great Pyramid of Giza features both a shape and location designed to harbor mathematical constants. This same mathematical theory can be found throughout nature and across the universe.  

Nikola Tesla, who sought to tap into the electromagnetic currents of the earth to bring the world unlimited electrical power, was in touch with these same mathematical underpinnings. Like the pyramid builders, Tesla realized Earth is a magnetic generator, spinning around two poles, with the potential to generate limitless energy. 

In 1905, he filed a United States patent, titled “The art of transmitting electrical energy through the natural medium,” and conceptualized designs for a series of generators stationed in strategic sites worldwide that would collect energy from the ionosphere. With its two poles, Tesla saw the earth as a massive electrical generator of limitless energy and designed generators based on the pyramids’ design.

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