Ancient Protection: Using Apotropaic Magic to Ward Off Evil
Ancient cultures regularly called upon the powers of magical, or apotropaic, symbols and rituals to guard them and their loved ones from evil. While some of these images seem to have faded into obscurity, one can still find them in their various forms — especially in the United Kingdom — often hidden in plain sight.
“Apotropaic” is derived from a Greek word, meaning “to ward off” or “to turn away,” and when applied to magic, it becomes an umbrella term for various symbols used on a house to keep evil from entering, as well as specific objects imbued with magical powers that protect those wearing or traveling with them.
Traditionally found engraved or etched onto, or burned into areas of entry, — especially windows, fireplaces, and doors — apotropaic symbols are seemingly commonplace on ancient buildings with inhabitants who were fearful of evil spirits. Those interested can find them on houses, barns, churches, and cellar doors.
In February 2019, the largest discovery of British apotropaic marks was made during one of many tours in Creswell Crags, a limestone gorge replete with cliffs and caverns. Here, one can get a feel for the way caves were used during the Upper Paleolithic, Mesolithic, Neolithic, Bronze, and Roman ages. More than 100 of these so-called witches symbols were found, covering the walls and ceilings of the gorges’ numerous caves, and etched over dark holes and large crevices.
More than 50,000 visitors a year tour Creswell Crags, now considered a world-renowned heritage site. Until late, these medieval symbols were dismissed as common graffiti, but now experts claim that the scrawls are “actually the work of locals who once believed the ominous deep openings were a gateway to the underworld. The etchings were an apparent attempt to keep devils, witches and other evil occupants from spilling out.”
Lines and Shapes
Apotropaic symbols were most commonly created in three forms: a circle, a pentacle, and a “VV” shape. Less frequently, they have also found in diagonal lines, boxes, and mazes — and as hundreds of other variations on these themes.
The Daisy Wheel, or flower of life — a symbol resembling an encircled six-petaled flower — was the most frequently used witches’ symbol. Its single, continuous line was believed to be followed by evil spirits, and was used to confuse and trap them. Two small daisy wheels have even been discovered by the door leading into a beer cellar at Shakespeare’s birthplace at Stratford-upon-Avon, and many are still to be found in surviving English churches, as well as in medieval houses and farm buildings.
Daisy wheels inscribed at Bradford-on-Avon via historicengland.org
While the pentacle symbol is presently associated with paganism, it was regarded as the opposite in the Middle Ages— a mark imbued with the power to ward off witches. The five points on these stars were believed to represent the five wounds of Christ, and pentacles were most often worn as protective charms rather than etched into buildings.
In addition to designs, various letters are still believed to have significant power, depending on their associations. Most popular at the pinnacle of apotropaic usage was the “VV,” thought to evoke the protection of the Virgin of Virgins, or the Virgin Mary. Variations on this symbol appear as well, including “AM” for “Ave Maria,” and “M” for “Mary.”
In an era before scientific materialism, inhabitants of medieval villages attributed sickness, crop failures, and an array of misfortunes to the mischief of evil spirits — witches, demons, the devil, and so forth.
“Witches’ marks are a physical reminder of how our ancestors saw the world. They really fire the imagination and can teach us about previously held beliefs and common rituals. Ritual marks were cut, scratched or carved into our ancestors’ homes and churches in the hope of making the world a safer, less hostile place. They were such a common part of everyday life that they were unremarkable and because they are easy to overlook, the recorded evidence we hold about where they appear and what form they take is thin.”
– Duncan Wilson, Chief Executive of Historic England
What are now considered eerie and curious representations of a bygone era of a superstitious people, apotropaic symbols continue to resonate with people who profess a profound connection with the unseen world.
Apotropaic symbols may have grown out of popular favor, but their use is far from extinguished. While it may be difficult to assess the exact number of witches and pagans in the modern era, researchers from Trinity College conducted three surveys from 1990 to 2008 and found that, while there were an estimated 8,000 Wiccans in 1990, that number grew to 340,000 in 2008. Many of these individuals still use apotropaic symbols in their rituals and sacred texts.
Want to learn more about ancient signs and symbolism? Check out our series Secret Life of Symbols with Jordan Maxwell:
Ancient Complex at Karahan Tepe Older than Gobekli Tepe
New discoveries have been made at the ancient site of Karahan Tepe — this sister site of Göbekli Tepe may have just revealed its hidden origins and proved an ancient civilization is even older than once thought.
Archeologists working at the ancient site of Karahan Tepe, about 30 miles east of its sister site Göbekli Tepe, have found stunning carved heads, standing stones, buttresses, and what appear to be snakes prominently carved into the earth. The dig is being led by the University of Instanbul and in their official report point out that, not only are these and other neolithic structures the beginning of architecture but also held a symbolic purpose. Writing, “[T]hey also bear traces of the conceptual transformation of the space. It is during this period when the building was instilled to mean something other than a space to live in, whereby the construction of the first shelters was followed by that of ‘special structures.'”
Science and history writer Andrew Collins, has visited and studied Karahan Tepe since 2004 and has seen these special structures up close.
“The main structures were all what they call ‘subterranean,’ they would cut deep down into the bedrock. One was a huge elliptical stone enclosure,” Collins said. “Clearly, this was an amphitheater for ceremonial ritual activity. Yet this connected via a hole that is 70 cm in diameter into a very strange room containing 11 stone pillars, ten of which are actually carved out of the bedrock itself, and sticking out of the wall of this room that I call the Pillar Shrine, is this elongated neck with a head on the end of it — this carved stone head. This confined room is somewhere initiates or people looking for connection or communication with some kind of otherworldly force or influence or diety would come to do their attunement in altered states of consciousness.”
