Music Found to Significantly Reduce Pain, Anxiety in Postop Heart Surgeries
Given that heart disease is the leading cause of death in the world, prevention and treatment have never been more important. While conventional cardiology relies heavily on pharmaceuticals in the management of cardiac conditions, music has been shown to have remarkable benefits without any side effects—music as medicine.
Ancient cultures understood the healing benefits of music and integrated it into their promotion of health and healing of disease. But this practice was mostly lost in the rise of western medicine. Today, that connection is gradually being restored as a new wave of research is being done on the healing benefits of music on the heart.
One such recent study found that listening to music is linked to a significant reduction in anxiety and pain after major heart surgery. The researchers concluded that clinicians should consider music for patients scheduled for surgery as it has none of the risks or side effects, and many of the benefits of the drugs most commonly used to aid in post-surgery recovery.
Steven Halpern's Journey Pioneering New Age Music for Healing
Halpern is a GRAMMY® nominated composer, recording artist, and researcher. He is also a founding father of New Age music and a pioneering sound healer. In a rare and inspiring interview, “Stephen Halpern: Healing the World Through Music,” the accomplished musician moves beyond the superficial aspects of music as entertainment and explores how it has the potential to move and transform us at a very deep level.
Halpern likens his music to “a tuning fork for the brain” that balances the listener’s biofield and tunes their chakras. The result is a reduction of stress, a boosted immune system, and a shift into mindfulness and inner tranquility.
Within moments of immersing yourself in this otherworldly music, the breath slows “as the music automatically evokes your natural relaxation response and nurtures body, mind, and spirit.” Adding to the basic melody line, Halpern has also infused his music with crystal bowls, bamboo and silver flute, cello, brainwave entrainment, and subliminal affirmations, all for the sake of transcendence.
Halpern’s fascination with music began in childhood with an abiding interest in sounds—the wind blowing through the trees, the steam radiator clicking out its own rhythms, and so forth. One of his first memories was when he first heard music coming from a neighbor’s apartment. He was so taken with the sound that he awoke to his life’s calling. From the earliest age, Halpern recognized the power of sound, both to disrupt health and to uplift it; some sounds made him feel wonderful while others negatively affected his digestion or state of mind.
Halpern’s next major realization occurred when he left home to attend the University of Buffalo. At that time, as a freshman, he was invited by the faculty and grad students to join a jazz jam session. He picked up his trumpet, began to play, and soon became so lost in the music he noticed his trumpet seemed to be playing itself. “I had tapped into another level of energy,” he said. Like other artists down through history, deeply moved by waves of music, he simply found himself in a state of flow. This opened a whole new world for him.
Eventually, with an education and experience working in music, Halpern became an accomplished trumpeter. As a 22-year-old grad student, he was invited to audition for a sister organization of Esalen, an institution and retreat that focuses on humanistic alternative education. With a little reprieve before his appointment, Halpern went into the nearby mountains and sat in a grove of redwoods.