Who Built the Great Sphinx?
The Great Sphinx is an iconic piece of history that’s just as remarkable as it is mysterious. From its enormous size to its intricate detail, it’s nothing short of an astounding architectural feat.
Who built the Great Sphinx and why? How, exactly, was such a large-scale and magnificent structure constructed? What is the significance of the Sphinx — a mythical creature with a lion’s body and a human face?
While there are plenty of questions, one thing is certain: The Great Sphinx offers no shortage of details to explore.
Mystery of the Sphinx
The Great Sphinx in Giza, a city in Egypt that features other prominent monuments such as the Great Pyramids, measures 66 feet high and 240 feet long. It is, by far, the largest sculpture of the ancient world. It is made of various blocks of limestone that weighed up to 200 tons each.
Scholars have long held the belief the Sphinx was constructed for the Pharaoh Khafre, who reigned from approximately 2,520 to 2,494 BC. This could explain why the Sphinx seems to align geographically with the Pyramid of Khafre, where the pharaoh himself is buried, and a temple, which is located due east from the statue.
In contrast, some Egyptologists theorize the Sphinx was actually built by Khafre’s father, [King Khufu]http://www.guardians.net/egypt/sphinx/), or Khafre’s brother, Djedefre.
However, the age of the Sphinx is still up for debate, and a growing body of evidence suggests it may be even older than once thought — so old, in fact, the Sphinx may not have been constructed by the Egyptians.
Weathering
Researchers such as John Anthony West and R.A. Schwaller de Lubicz observed signs of weathering due to rainfall on the Sphinx, dating the construction of this marvel to the end of the last Ice Age, about 10,000 to 5,000 BC. While some weathering due to wind erosion is to be expected over the course of such a long time period, this particular type of weathering suggests the Sphinx was constructed at a time in which Egypt was not such a dry, barren environment.
Geologists confirmed that long, long ago Egypt was subjected to a period of flooding. During this period, the Sphinx was most likely covered in sand, which would have preserved its construction and protected it from wind erosion for many years. This is further supported by Napoleon’s rediscovery of the ancient structure in 1798, in which the Sphinx was buried up to its neck in sand.
Lion Symbolism
The Sphinx is depicted as a lion with a human head, which some speculate is a tribute to the constellation of Leo. However, it’s also curious to note the Sphinx and its alignment with the Giza pyramids and the Nile River closely mirror the orientation of Leo, Orion, and the Milky Way.
Graham Hancock and Robert Bauval, the researchers who made this observation, state this pattern represents the orientation of the aforementioned celestial bodies during the astrological Age of Leo, which occurred between the dates 10,970 and 8810 BC.
Who Really Built the Sphinx?
Longstanding theory suggests slaves built the Sphinx and the Great Pyramids using some sort of pulley system.
However, all of the aforementioned factors and more lead some to believe the Great Sphinx may have actually not been constructed by the Egyptians at all.
Zecharia Sitchin, a prominent ancient astronaut theorist, hypothesized the Annunaki constructed the Sphinx. These intelligent beings allegedly built the structure in a precise geographical location close to where they purportedly had spaceports on Earth. The alignment of the Sphinx and the Great Pyramids also mirrors that of pyramid-like structures found on Mars, possibly suggesting Giza served as a landing strip for spacecraft.
During a quest to discover the actual age of the Sphinx, John Anthony West and his team uncovered more than they had initially anticipated. Several underground cavities and tunnels were discovered beneath the structure, including a large chamber some 25 feet beneath the statue’s front paws. This is another piece of evidence that correlates to the Annunaki, who allegedly built sprawling underground structures and dwellings.
So who really built the Sphinx? No one can be completely sure, but there is certainly no shortage of fascinating details to explore and examine.
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Viracocha: The Great Creator God of the Incas
Considered the supreme creator god of the Incas, Viracocha (also known as Huiracocha, Wiraqocha, and Wiro Qocha), was revered as the patriarch god in pre-Inca Peru and Incan pantheism. His name was so sacred that it was rarely spoken aloud; instead replaced with others, including Ilya (light), Ticci (beginning) and Wiraqocha Pacayacaciq (instructor).
This reverence is similar to other religious traditions, including Judaism, in which God’s name is rarely uttered, and instead replaced with words such as Adonai, Hashem, or Yahweh. Viracocha is part of the rich multicultural and multireligious lineage and cosmology of creation myth gods, from Allah to Pangu, to Shiva. A brief sampling of creation myth texts reveal a similarity:
“In the beginning, God created the heavens and the Earth. Now the Earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters.” (Genesis 1:1)
“When heaven and Earth began, three deities came into being, The Spirit Master of the Center of Heaven, The August Wondrously Producing Spirit, and the Divine Wondrously Producing Ancestor. These three were invisible. The Earth was young then, and land floated like oil, and from it, reed shoots sprouted.” (Kojiki, the Japanese “Record of Ancient Things”)
“In the beginning, there was Chaos, the abyss. Out of it first emerged Gaia, the Earth, which is the foundation of all. Next came Tartaros, the depth in the Earth where condemned dead souls to go to their punishment, and Eros, the love that overwhelms bodies and minds, and Erebos, the darkness, and Nyx, the night. Erebos and Nyx made love and from their union came Aether, the air, and Hemera, the day.” (“Gaia,” Theogony)
These texts, as well as most creation myths (regardless of origin), are centered on the common idea of a powerful deity or deities creating what we understand to be life and all its many aspects. Legendary Viracocha, the God of Creation of ancient South American cultures, and a symbol of human’s capacity to create destroy, and rebuild, and is firmly rooted in creation mythology themes.
