Deeper Space: Episode 5
Deeper Space: Episode 5
EPISODE 5: SECRETS OF ANTI-GRAVITY
Antigravity and flight has always propelled the efforts of artists and visionaries. In episode 5 of Deep Space, researchers discuss the life and work of artist Charles A. A. Dellschau and inventor T. Thompson Brown. These individuals were not well known in the mainstream but demonstrated unique perspectives and insights that still intrigue antigravity researchers and conspiracy theorists today.
Is there a connection between an artist and a scientist that, when their stories are combined, uncovers the hidden history of antigravity? Did an artist’s eye and an under-the-radar scientist create the foundation for the field of antigravity? Let your imagination take flight through this portrait of an artist and a scientist.
“Aeroplanes are not designed by science but by art in spite of some pretence and humbug to the contrary. I do not suggest that engineering can do without science, on the contrary, it stands on scientific foundations, but there is a big gap between scientific research and the engineering product which has to be bridged by the art of the engineer.”
::John D. North, “The Case for Metal Construction” (1923)
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WHO WAS CHARLES A. A. DELLSCHAU?
Prussian born outsider artist Charles August Albert Dellschau (1830-1923) immigrated to Texas at age 19. Trained as a butcher and Confederate soldier, Dellschau became a self-taught artist and draughtsman who created hundreds of detailed watercolors of flying craft which ranged from the realistic to the fantastic. In the 1850s, the artist became affiliated with the mysterious Sonora Aero Club. This fraternity from Sonora, California participated in the balloon hysteria of the time.
In Western Europe, military personnel and civilians designed, built, and flew hydrogen air balloons. Of these revolutionary flying craft, few flew and many died. Dellschau’s actual involvement with the California Aero Club remains somewhat tenuous considering the lack of records connecting the two parties. It may be possible his Prussian heritage united him with what would have been a Eurocentric elite group experimenting with air travel.
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ENCOUNTERS WITH FLYING AIRSHIPS
The nature of Dellschau’s work suggests however, his encounter with flying airships to be purely imagined. The paintings, which comprise 12 codices, are so fantastic that it is unlikely they portray any accurate representation of primitive flying technology.
Image courtesy of https://commons.wikimedia.org/
Dellschau’s work has been compared to other early outsider painters such as Swiss Adolf Wölfli (1864-1930) in terms of color, composition, and use of motifs such as the Mandala. Like Wölfli, and other untrained painters, Dellschau reached his creative peak in middle age. The Prussian born artist created perhaps a thousand watercolors depicting flying craft, air balloons, engines, generators, and both real and imagined antigravity technology.
Image courtesy of https://commons.wikimedia.org/
Often, Charles sketched the apparatuses, or as he called “aeros,” as annotated bisections with accompanying newspaper clippings and other multimedia. Dellschau worked in collage several decades before Pablo Picasso invented the artistic medium as it is understood today. Pieced together, the pasted fragments of newspaper documented one individual’s understanding of the Great 1897 Airship mystery, an early UFO phenomenon.
AN ALMOST FORGOTTEN PORTFOLIO
This artist and his work came very close to being completely forgotten. In 1968, an antique dealer named Fred Washington discovered pages of Dellschau’s portfolio flying out of a truck on its way to the local dump. Washington loaned selected works to a local university for a public exhibition. After seeing the watercolors and collaged works at the exhibition and researcher P.G. Navarro became obsessed with Charles A. A. Dellschau and devoted most of his life to studying the artist’s life. After careful inspection Navarro discovered a hidden Code within Dellschau’s oeuvre.
NYMZA: A SECRET GROUP UNCOVERED
Strange symbols resembling Greek and Roman letters can be found interwoven between misspelled English and German text. Navarro discovered that Dellschau used a simple cypher, and that the recurring symbols, “ĐM=XØ” translates to NYMZA. In consideration of the consistent design and repetition throughout the 12 books it would appear contextually that NYMZA would be the acronym and logo for a secret group.
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WHO WAS THOMAS TOWNSEND BROWN?
”At Caltech I failed in Chemistry and Physics! My other grades were good. Reason I failed – I disagreed with the policies of the Institution limiting time spent on experiments in the laboratory. As soon as I’d get my experiment set up, the bell would ring and I would have to disassemble everything. I never could finish an experiment. That’s when I became determined to have the lab at home, where I could take my time and do the kind of job I felt should be done.”
THE BIEFELD-BROWN EFFECT
American inventor Thomas Townsend Brown Or T. Townsend Brown (1905-1985) discovered an electrogravitic phenomenon known as the “Biefeld-Brown Effect.” In sum, when two electrodes of unequal size are powered with a high voltage between them, air molecules become ionized near the sharp points and edges of the electrodes. An ionic wind is generated, which transfers its momentum to the surrounding neutral particles.
According to scientist Dr. Richard Boylan, the most primitive antigravity technology is Electrogravitic: “This involves using voltages in the millions of volts to disrupt the ambient gravitational field.” This is relevant to the work of T. Thompson Brown. In this episode of Deep Space, physicist and astronomer Paul LaViollete summarizes the seed of Brown’s research in this field, so to speak: “It is true there is a correlation between charge and gravity… If you can create what is called unbalanced forces on the capacitor, the charge on one side of the capacitor pushes on the capacitor one way a different amount than the other charge pushes the other way.”
This may be a simple concept to grasp, but as David Wilcock posits, this fact of physics has been too often occluded: we should not be made to believe that “gravity is one thing and electromagnetic energy is something else.” Researchers such as Boylan believe that electrogravitic technologies power military aircraft such as the B-2 Stealth Bomber and the TR3-B Astra triangular craft.
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OTHER METHODS OF ANTIGRAVITY
In addition to electrogravitic technology, antigravity craft can also employ magnetogravitic properties. Magnetogravitic antigravity involves generating high-energy Torsion fields spun at high RPMs which disrupts the surrounding gravitational field. The generated force counters that of the Earth’s gravitational field. It is torsion flields that constitute the basis of Nikolai Aleksandrovich Kozyrev’s work and possibly the antigravitational properties powering the Nazi Bell or Die Gloke.
HARNESSING THE GRAVITATIONAL STRONG FORCE OF UNUNPENTIUM
According to Boylan, a third method “is direct generation and harnessing of the gravitational strong force. Such a strong-force field extends slightly beyond the atomic nucleus of Element 115 . . . by amplifying that exposed gravitational strong force, and using antimatter reactor high energy, and then directing it, it is possible to lift a craft from Earth.” Element 115, also known as Ununpentium, is a superheavy synthetic element that could only naturally occur in a double star solar system. This discovery suggests that early antigravity technology using this element would likely be of extraterrestrial origin.
A FUTURE WITH ANTIGRAVITY TECHNOLOGY
Antigravity technology offers many advantages to the modern world, including the promise of clean energy. However, it’s use may diminish the powerful hold major corporations have on energy markets. Freedom of technology, just like freedom of information, potentially threatens the global elite, the richest of the rich, and could disrupt the current status of international superpowers. Uncover more about the hidden history of antigravity technology on Deep Space: pay close attention as the merging of art and science may continue to unveil answers critical to the future of humankind. Misinformation abounds and it is up to you, dear reader, to seek the truth.
SUGGESTED READING LIST
Explore the following titles for more information on Charles A.A. Dellschau, airships, and Thomas Townsend Brown:
- Baker-White, Tracy. “Flight or fancy? The secret life of Charles AA Dellschau.” FOLK ART 25, no. 3 (2000): 46-54.
- Busby, Michael. Solving the 1897 Airship Mystery. Pelican Publishing, 2004.
- LaViolette, Paul A. Secrets of Antigravity Propulsion: Tesla, UFOs, and Classified Aerospace Technology. Inner Traditions/Bear & Co, 2008.
- Schatzkin, Paul. Defying Gravity: The Parallel Universe of T. Townsend Brown. Embassy Books, 2009
The Alternative 3-Secret Space Program Connection
In 1977, a British television program titled Science Report: Alternative 3, part of an Anglia TV documentary series, aired and planted the seed of fear about an alien invasion in society at large. The program focuses on the disappearances of prominent scientists, engineers, and astronomers. The speculation is that the Earth is collapsing and will soon be unable to support human life, so these people have been taken by several governments acting together in an intergovernmental Secret Space Program (SSP) with the goal of developing colonies on other planets, using the moon as a way-station.
If you ever have a chance to view the program, it is so convincing that you will want to volunteer for the SSP, pack up your family, and head for Mars. However, there is only one known copy: it is in the possession of Alternative 3’s director. It is thought to be fading and grainy due to the passage of time. All other copies of the program were destroyed as were all contracts and any paperwork referencing the show as if the program never existed.
Although the TV program aired in June of 1977, the producers claimed it was originally intended to air on April Fool’s Day. Workers in the industry were striking, so the air date was postponed. When it did air, the reaction of viewers was reminiscent of the 1938 radio broadcast by Orson Wells of “The War of the Worlds,” which created civil unrest and havoc. The broadcast was meant to be a joke, but thousands of people in the U.S. thought the Earth was being invaded by Martians. They hit the streets in panic, not knowing what to do next or how to escape.
The program was so disturbing it was only shown once in England and once in Australia. The U.S. refused to air the program. It was never shown anywhere again. Even though the directors and producers of Alternative 3 were adamant that it was fiction, questions still abound. Is there some truth to the Alternative 3 theory?
Are there three alternatives for Earth inhabitants in case there is a catastrophic event that threatens the habitability of the planet? Thousands of people disappear every year, never to be heard from again. Could these people have been abducted to develop a Breakaway Civilization on the moon or another planet, like Mars?
Fact or Fiction?
Immediately after it aired, the producers of the program announced it had been fiction. The slot where Alternative 3 aired was one that routinely ran documentary episodes. The title of the series was Science Reports and Alternative 3 was the title of just one segment; it was the last program of the season of the Science Reports.
The program was created by reputable reporters and researchers who were well respected for their documentaries. Why would they risk their reputation by airing such a hoax? Was it really a hoax or was it a disguised message to the public about a secret space program?
A book with the same title, Alternative 3, was subsequently written by Leslie Watkins. It presented some of the theories of the alleged hoax as truth. The book and the television program promoted the idea that astronauts had landed on Mars in 1962 in a joint U.S./U.S.S.R. effort and definitively identified intelligent extraterrestrial life. It also promoted the idea that climate change was just one thing that could soon make the Earth uninhabitable.